Arts Research Monitor articles, category = Film, video and new media

It’s not just the price of admission that’s keeping poor and less-educated adults away from arts events

This article, based on a variety of reports and data sources, indicates that “there is a significant proportion of economically disadvantaged people who do not take the initiative to experience the arts, even when time and cost are not issues.” Furthermore, the article argues that “a lack of explicit interest is far and away the dominant factor keeping low-SES [socioeconomic status] populations away from arts events”. Low socioeconomic status is defined “as those with at most a high school education and in the bottom half of the income distribution in the United States”.

(Le travail des artistes au Québec est-il payé à sa juste valeur ?)

Based on a survey of 407 French-language audiovisual artists who are members of six Quebec associations, this report examines whether “precariousness has become a normalized part of working conditions in this sector of culture”.

This Statistics Canada report examines the direct economic impact of the arts, culture, and heritage in Canada, using methodology that is comparable to other sectors of the economy. Statistics Canada estimates that the direct economic impact of cultural goods and services was $47.8 billion in 2010, or 3.1% of Canada's Gross Domestic Product (GDP). In 2010, there were 647,300 jobs directly related to cultural products, or 3.7% of total employment. The direct economic impact of culture ($47.8 billion) is about 10 times larger than the sports estimate ($4.5 billion).

Based on five case studies of Canadian and American documentary films, this report argued that documentaries, “coupled with a well-executed social impact strategy, can have substantial impact on social change”. However, the report also acknowledged that “social change involves good luck, good timing, traction of ideas in the broader culture and more than a little magic and zeitgeist.”

The National Endowment for the Arts' 2012 Survey of Public Participation in the Arts collected data about the arts activities of more than 37,000 Americans 18 years of age and older. The report provides key arts participation figures.

This report provides “an in-depth look at the state of Canadian documentary production up to the end of 2010/11 in both the English- and French- language markets”. Many challenges related to documentary production are highlighted in the report. Most significantly, “Canadian documentary production is facing its steepest decline in production volume in almost a decade”, with a 21% decrease in production value and a 23% decrease in the number of documentary projects between 2008/09 and 2010/11.

Based on a survey of 1,001 Canadians 18 or older in June and July of 2012, this report examines Canadians’ attendance and personal involvement in the arts, culture, and heritage, as well as their perceptions regarding cultural activities and government support of culture.

Executive Summary

Based on a literature review and consultation with 250 arts practitioners and cultural workers, this report examines the impact of digital technologies on human resources in the cultural sector. The report argues that, "as the Canadian economy continues to move toward a knowledge-based economy, the creativity exhibited by the cultural sector will only increase in importance".

Based on the 2010 General Social Survey

Based on a survey of approximately 7,500 Canadians 15 years or older, this report finds that virtually "all Canadians participated in an arts, culture or heritage activity in 2010". In fact, 99.7% of Canadians 15 or older participated in at least one of the 18 arts, culture or heritage activities covered by the survey.

Results from a 2011 Province-wide Study of the Arts Engagement Patterns of Ontario Adults

This report is based on a survey of 1,594 Ontario adults covering their personal practice, attendance and media-based consumption of 45 different arts activities. The report challenges "the arts community and its funders to consider the totality of engagement when looking to increase participation" and concludes that "increasing arts engagement in Ontario will require making new connections between different parts of the ecosystem and tapping into deep veins of cultural value".