The Arts Research Monitor, created by Hill Strategies Research in 2002, provides synopses of qualitative and quantitative research findings in the arts and culture. The Monitor should be useful to artists, arts managers, funders, policy makers, researchers and others with an interest in learning more about the arts and culture. The Arts Research Monitor is funded by the Canada Council for the Arts and the Ontario Arts Council.
Each year, the Center for the Future of Museums highlights trends that they believe are of significance to museums, based on their scanning and analysis. In 2017, these trends related to empathy, civil rights, artificial intelligence, involuntary migration, and agile design. Each essay outlines the theme, implications for society, implications for museums, and existing museum examples.
Based on survey responses from 406 Quebec-based heritage organizations, this report focuses on attendance at museums, interpretive centres, and exhibition spaces (excluding artist-run centres). In 2017, total attendance was 15.9 million, which the report notes is a record level that “might be partially attributed to activities associated with Montreal’s 375th anniversary and the 150th anniversary of Canadian Confederation”.
Based on an online survey as well as data from the Canada Revenue Agency, this report summarizes national and provincial data on heritage institutions in 2015.The total revenues of heritage organizations were estimated at $2.53 billion in 2015, a 29% increase from 2011 (figures have not been adjusted for inflation).
Based on data from various American sources including the National Awareness, Attitudes, and Usage Study from IMPACTS Research and Development, this brief research post indicates that “there is a long lead time in peoples’ intent to visit cultural organizations – even for locals”. On the other hand, “the time between a ticket purchase and redemption is very quick”.
This report aims to provide a “nuanced picture of consumers’ preferences and behavior across a broad cross-section of performing arts organizations”, including four in Canada and 54 in the United States. An online survey in August 2017 received 26,996 responses from performing arts ticket buyers.