The Arts Research Monitor, created by Hill Strategies Research in 2002, provides synopses of qualitative and quantitative research findings in the arts and culture. The Monitor should be useful to artists, arts managers, funders, policy makers, researchers and others with an interest in learning more about the arts and culture. The Arts Research Monitor is funded by the Canada Council for the Arts and the Ontario Arts Council.
Based on Statistics Canada’s product perspective, the direct economic impact of culture products in 2016 was estimated at:
- $7.2 billion in British Columbia, or 2.9% of provincial GDP
- $5.3 billion in Alberta, or 1.7% of provincial GDP
- $915 million in Saskatchewan, or 1.3% of provincial GDP
- $1.6 billion in Manitoba, or 2.5% of provincial GDP
Using the product perspective, Statistics Canada estimates that the direct economic impact of culture products was $53.8 billion in Canada in 2016, or 2.8% of overall GDP. The employment estimate was 652,400 in 2016, or 3.5% of the 18.5 million jobs in the country.
Statistics Canada’s recent release of Provincial and Territorial Culture Indicators (PTCI) provides estimates of the direct economic and employment impact of the arts, culture, and heritage, similar to the 2010 and 2013 Culture Satellite Account (CSA). The PTCI estimates for 2015 and 2016 are based on economic projections, so they should not be considered as precise as the data for 2010 through 2014 (which could be considered “actuals” rather than “projections”).
A brief summary accompanies two longer reports that highlight the situation of 49 media arts presenters and 45 production centres “that receive recurring funding from the Media Arts Section of the Canada Council for the Arts”, based on financial and statistical data reported to CADAC (Canadian Arts Data / Données sur les arts au Canada).
This report, “largely based on 29 interviews with staff, participants and related stakeholders”, explores two initiatives that support independent theatre makers in Toronto: Generator (“a capacity building and mentoring organization for independent performance makers”) and The RISER Project (“a collaborative and charitable approach to production and presentation”).