INNOVATION & RESILIENCE
IN CANADA’S CULTURAL SECTOR
IN CANADA’S CULTURAL SECTOR
Centre des arts d'Edmundston
Discipline(s): dance, festivals, libraries, media arts, museums and galleries, music, reading, writing, publishing, theatre, visual arts
À peine trois mois après le début de la pandémie, le Centre des arts à initié une consultation publique de la communauté artistique pour assurer la relance du secteur culturel (arts, patrimoine, événements).Special impacts:
Suite aux consultations publiques, une feuille de route a été développée, permettant ainsi d'identifier des axes stratégiques et des initiatives prioritaires pour la communauté culturelle. Le plan a aussi permit de rassembler de nombreux partenaires non-culturels pour appuyer la relance. Sans cette approche de concertation, il aurait été impossible de mettre en oeuvre tant de nouvelles initiatives. Notre secteur culturel est maintenant plus vivant que jamais.Equity seeking: Members of official language minority groups
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Discipline(s): libraries, reading, writing, publishing, visual arts
A manuscript/book (poems, illustrations, sayings, wit, humor, musings, reflections and contemplations) dedicated to all frontline and healthcare workers.Special impacts:
The book advocated for the declaration (as Covid-19 Pandemic Heroes) recognition and appreciation of frontline and healthcare workers (held on Dec 20, 2020 in Calgary)Equity seeking: Indigenous Peoples, Racialized, 2SLGBTQIA+, D/deaf, disabled, or live with difference, Members of official language minority groups
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SpanicArts: Hispanic Association of Professional Artists Ltd.
Discipline(s): dance, libraries, media arts, museums and galleries, music, reading, writing, publishing, theatre, visual arts, multidisciplinary
These two programs were developed by SpanicArts as an effort to innovate and adapt during the pandemic. The two events were adapted to be streamed online and keep the community engaged and connected during the COVID-19 pandemic.
DesayunArte begun in November 2019 with the purpose of bringing people closer to the visual arts. Each month, we invite members of the community to listen to an artist talk about a specific theme. The artists giving the talk are artists whose practices are related to the theme of each month. In the beginning, these artist talks were in person meetings, where people were able to meet each other, enjoy a cup of coffee and a quick breakfast while learning about art and engaging in meaningful conversations. The topics for the first three in- person sessions were:
Death through the Hispanic and LatinAmerican Vision. October 2019.
Music as a social expression in the Hispanic Culture. November 2019.
LainAmercian Women & Art March 2020.
With the surge of the COVID-19 pandemic, SpanicArts had to find a way to keep the programming going and engage with the public. We decided to stream the programs online using Facebook Live. This meant of course that we could no longer meet in person and enjoy sharing a warm cup of coffee and croissants and thet we were unable to host the events in spaces dedicated to cultural activities. Nonetheless, bringing the programs to an online platform allowed us to reach a much wider audience, beyond the Calgary Community. We were able to expand our audience not only in Canada, but also internationally. We were able to invite artists from other places around the world to connect and participate with our local artists. We decided to host our events with one artist from our community and one artist from a different place, to create more opportunities for networking and discussion. By doing so, we realized that a new door had opened before our eyes: that of a fruitful exchange of realities from different communities all over the world. We now have SpanicArts members residing in many different parts of Canada.
DesyunArte has grown its audience and the possibilities have expanded since the beginning of the pandemic. As an organization, this challenge has also helped us to expand and grow our vision.
The themes for all the DesayunArte events we have held until now are:
1. Hispanic Theatre. April 25th, 2020
2. Art in the time of Covid. May 30th, 2020
3. Interculturality and Solidarity among communities. June 25th, 2020
4.Confined performance. July 27th, 2020
5. Artist Nature September 19th, 2020
6. Music in support of non violence. October 3rd, 2020
7. LatinAmercian Religious Art. November 2020
8. The gift of Art December 12th, 2020
9. Blue Monday Theatre. January 30th, 2021
10. Loving Art. February 20th, 2021
11. Feminist Art. March 20th, 2021
12. A world without art. April 17th, 2021
13. Behind the scene of creativity. May 29th, 2021
14. LGTBQ Art. June 26th 2021
15. Art in the field July 24th 2021
DramatizArte was scheduled to launch in March 2020. The project’s objective was to promote the reading of Theatre plays written by Hispanic authors, through dramatized readings in English or in Spanish to engage and nurture Hispanic reading amongst the new generations, to share the work and the plays of Hispanic theatre writers; and to promote and encourage the work of our local theatre performers and artists. This proposal was also developed as a way to minimize the cost of scene montage and rehearsals. Initially, the project was meant to be carried out in public libraries, where the public could join, with an entrance by donation, to help support the cast.
Once again, since the pandemic did not allow for those initial plans to take place, the event was moved to our online platforms, to be streamed via Facebook Live. To promote and support our members, half of the cast of each reading must be SpanicArts members. The event is held every two months and at the end of each reading there is a short interview to get to know the artists and ask them what they learned and experienced through the process of preparing for the event.
For the first event, we presented one scene from the play “Rosa de dos aromas” by Mexican writer Emilio Carballido.
In the March edition of DramatizArte we presented the short story “Unete Pueblo”, again from Mexican writer and playwright Emilio Carballido.
Performed by the theatre company “Latin Scenario”, the first organization to join SpanicArts as members. LatinScenario operates and is located primarily in Vancouver, BC.
The last edition of Desyunarte presented the play “Hamlet Mats”, performed by a theatre company based in Querétaro México. Thanks to the use of technology and online platforms, we were able to invite them to share their work, as well as helped them promote their work to the Canadian public.
So far, all the plays have been performed in Spanish, but we are considering the opportunity to present plays in English as well. We will continue to present plays from Hispanic writers and a cast with a minimum of 50% SpanicArts members.
We intend to be able to make these events in person as soon as possible to do so in a safe manner, hopefully by the Fall of 2021. We will also continue to stream the plays online to reach more public in the future.
The future goals for DesayunArte is to continue attracting new public from different parts of the world and to obtain funding to be able to pay our artists a fee for their participation.
DramatizArte is an event that does not require as big a time commitment from the participants (actors and director) as an in-person theatrical performance (rehearsing, several functions). The budget is also smaller given that the play is presented online and the scenography can be digital as well.
DramatizArte is a project that allows us to create a platform for our theatre artists, many of whom do not speak English, giving them an opportunity to learn and engage with a new audience.
The future goals for DramatizArte are to present the plays in person once it is safe to do so, and to pay the cast of performing artists participating with the donations received during the functions.
This event opens the opportunity to collaborate with other theatre groups from other communities across Canada and other countries, like we did with the theatre company Los Focos, from Queretaro, Mexico.
Lastly, DramatizArte is an attractive opportunity to Hispanic playwrights to submit their work for consideration and possibly become featured in our event. SpanicArts wants to help these artists by promoting and making their work known to a wider audience worldwide.
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STEPS Public Art
Discipline(s): libraries, media arts, museums and galleries, reading, writing, publishing, visual arts, multidisciplinary
The COVID-19 pandemic exposed inequalities that leave out marginalized peoples and voices, particularly within public spaces. While STEPS has been dedicated to providing opportunities for these voices in regular programming, we saw an opportunity to further these efforts. Over the last 10 years in the field and through our participation on many public art selection committees, we have witnessed the disproportionate disadvantage that Black, Indigenous and other artists of colour have had in accessing large-scale public art opportunities. These opportunities begin with access to small to midsize portfolio building commissions. Our CreateSpace BIPOC Public Art Residency offers its participants real world opportunities and experiences in creating public art works from conception through to realization. Through this unique program, STEPS celebrates creativity, diversity and inclusion through public art. CreateSpace builds the capacity of emerging BIPOC artists through a combination of technical skills training, targeted mentorships and networking.Special impacts:
In 2020 STEPS launched CreateSpace, a national public art residency program providing emerging Black, Indigenous and racialized artists with the skills, relationships and practical experience needed to foster and develop skills in lasting public art practices. CreateSpace was open to early to mid-career Canadian-based visual and media artists working in public space. In total, ten artists were chosen from across Canada by a review panel composed of BIPOC members of the Canadian arts community. This first of kind program offered participants skill building, relationship fostering and networking opportunities, practical public art making experiences, introductions to new audiences and financial support.
As this is the pilot year of a multi-year program, the 2022 CreateSpace BIPOC Public Art Residency will build off the successes of its first year. The program strives to not only support individual artists, but to foster connections and cultivate conversation around social equity in city-building and design. It will foster solidarity amongst artists working in diverse contexts; between artists and their own communities, while also inspiring broader dialogue on representation in city-building processes.Equity seeking: Indigenous Peoples, Racialized, 2SLGBTQIA+, D/deaf, disabled, or live with difference, Members of official language minority groups
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