INNOVATION & RESILIENCE
IN CANADA’S CULTURAL SECTOR
IN CANADA’S CULTURAL SECTOR




Aanmitaagzi
Discipline(s): community arts, multidisciplinary
"Slowly the creatures emerged from the pressure cracks jutting out of frozen Lake Nipissing. They danced about as Nipissing First Nation’s Penny Couchie recited Pressure Cracks. Blue light shone on the creatures as they moved to the amplified composition by Jacob Dayfox. Hundreds walked the ice path lit up with whimsical light installations to witness the performance of Mkomiiwi.
Aanmitaagzi produced the performance Mkomiiwi showcased at Ice Follies 2020 on Lake Nipissing at Marathon Beach in North Bay."
Special impacts:Online culture-specific workshops, which might be relevant to many other organizations and communities.
Equity seeking: Indigenous PeoplesSource: Research
Link to website
Mabelle Arts
Discipline(s): community arts
Online program with IRCC with refugees to assist with settlement. Online end of Eid celebration.
Equity seeking: RacializedSource: Research
Link to website
Arts Etobicoke
Discipline(s): community arts
Reaching a broad age range with smart programming.
Source: ResearchLink to website
STEPS Public Art
Discipline(s): community arts
Read the story
Collaborating with 26 Business Improvement Areas (BIAs) across Ontario and engaging 50+ Canadian artists in creative opportunities, main streets will be activated through unique outdoor public art projects for communities to enjoy all summer long. New this year is the launch of an app platform for the public to engage with the projects virtually and plan walking tours around participating communities.
Source: ResearchLink to website
Jamii
Discipline(s): community arts
Jamii’s mobile theatre, the Kisanii Hub, travels the residential streets of The Esplanade neighbourhood in the early evening, while delivering musical performances.
Equity seeking: RacializedSource: Research
Link to website
MUSE Arts
Discipline(s): community arts, festivals
Happenings is the first and only Toronto festival made by community artists, giving centre stage to the talents and skills of immigrant, newcomer, and refugee artists. This year’s festival takes place during the entire month of May and will bring together over 80 artists and performers belonging to diverse communities.
Equity seeking: RacializedSource: Research
Link to website
East End Arts
Discipline(s): community arts
Highly impactful, local, innovative: Seniors online art diary. Book club addressing BLM and BIPOC readings and discussions. Partnership with Indigenous organization for online beading circle.
Equity seeking: Indigenous PeoplesSource: Research
Link to website
Vancouver Arts Colloquium Society, Keiko Honda
Discipline(s): media arts, reading, writing, publishing, multidisciplinary, community arts
The project Terakoya is an intergenerational learning and collaboration that is a unique approach to bridging the generational gap. Students (high school to university) and older adults to get a chance to form connections through shared experiences and projects. Older adults will play a vital role by sharing their wisdom and life stories, while students will learn valuable practical and emotional skills from working with older adults, such as group co-leadership, self-confidence, and emotional maturity. The older adults may also learn social networking skills and etiquette from the students.
Special impacts:After harvesting the goodness and challenges of 2020 and this year, I would like to keep coming back to Goethe’s participatory method that allows us to see a thing that is perhaps hiding in plain sight all along. And go out to nature more. Our true legacy for further generations is to leave nature accessible to the next generations so that they can actively participate to come into being. And in that, I see what is art for.
Equity seeking: Indigenous Peoples, Racialized, 2SLGBTQIA+, D/deaf, disabled, or live with difference, Members of official language minority groupsSource: Survey
Link to website
The Knowledge-Centric Arts Organization
Arts Research MonitorBased on a literature review, exploratory interviews with arts organization leaders, a review of grantmakers’ practices, and the author’s experience, this article argues that “arts organizations must become knowledge-centric, by usi… View this resource
Standards Program for Canada’s Charities & Nonprofits
Arts Research MonitorThis document from Imagine Canada, the national association of charities, is intended to support charitable organizations by providing a “Canada-wide set of shared standards for charities and nonprofits designed to strengthen their capacity in… View this resource
National Center for Arts Research: Volume II Report
Arts Research MonitorThis report provides “evidence-based insights into the health of U.S. arts and cultural organizations”, based on three main data sources: charitable organizations’ tax forms, the Cultural Data Project, and the Theatre Communications… View this resource
Territorial estimates from Provincial and Territorial Culture Satellite Account, 2010
Arts Research MonitorYukonThe direct contribution of culture industries to GDP was $48 million in the Yukon in 2010, which represents 2.1% of territorial GDP. The value added of culture industries in the Yukon, as a proportion of the territory’s overall GDP, is wel… View this resource
Atlantic Provinces estimates from Provincial and Territorial Culture Satellite Account, 2010
Arts Research MonitorNew BrunswickThe direct contribution of culture industries to GDP was $628 million in New Brunswick in 2010, which represents 2.3% of provincial GDP. The value added of culture industries in New Brunswick, as a proportion of total provincial GDP, is… View this resource


