Arts Research Monitor
For our latest arts research, visit statsinsights.ca
FAQs about new subscription service
Arts Research Monitor, BlogBelow are answers to some key questions about our new subscription service (via Substack). Statistical insights on the arts will now be distributed as a “newsletter” at statsinsights.hillstrategies.com. Through a subscription model, I will continue t… View this resource
Since 2002, the Arts Research Monitor has provided synopses of qualitative and quantitative research findings in the arts and culture. Because of funding changes, we are distributing our new work at statsinsights.ca.
Re‐visioning the Visual Arts
Arts Research MonitorBased on discussions at the Kingston Colloquium of the Visual Arts Alliance in 2011, this position paper attempts to identify “ways to make the visual arts more central in the lives of Canada and Canadians”.The colloquium heard from Jeff… View this resource
Attendance at Quebec museums and heritage organizations in 2012 and 2013
Arts Research MonitorThis report highlights attendance statistics at 440 Quebec museums, interpretive centres, and exhibition spaces (excluding artist-run centres). In 2013, total attendance was 14.2 million, the highest level since the Observatoire began this survey in… View this resource
Ontario Association of Art Galleries Data Exchange
Arts Research MonitorThe goal of the research outlined in this presentation was to provide “reliable, detailed data on public art galleries across Ontario”, thereby influencing art gallery sector analysis as well as organizations’ benchmarking and futur… View this resource
Empowering Audiences to Measure Quality
Arts Research MonitorBased on in-depth interviews with marketing managers from four Australian performing arts organizations, this article proposes four key indicators of the quality of audience experience in the performing arts: knowledge transfer or learning, risk mana… View this resource
Quality of Experience in the Arts: A Discussion Paper
Arts Research MonitorThis English report attempts to provide a conceptualization of the quality of arts experiences that is flexible (i.e., relevant to various contexts, art forms, and levels of audience familiarity with the arts) and “meaningful in the context of… View this resource
